Our Team
Lulu Men
(director/producer/editor) is an artist and filmmaker based in New York City. Originally from China and Singapore, she received her MFA in documentary filmmaking from the School of Visual Arts and MA in Media Management at The New School. She has worked on award winning documentaries as well as narratives, including the 2020 Oscar winning film “American Factory” as the field producer and additional camera. “Voices of Deoli” is Lulu’s debut feature in 2024. She’s currently in production of her 2nd feature as well as a few short film projects. Lulu is a member of the BGDM and A-doc group.
Joy Ma
(executive producer/archival consultant) grew up in India and has lived in Kolkata and New Delhi. She attended Lady Shri Ram College and graduate school at the New School. She recently published the book The Deoliwallahs: The True Story of the 1962 Chinese-Indian Incarceration. Joy was one of a handful of children born in the Deoli internment camp in Rajasthan. Her connection to the community in the US and Canada taps into the rich narratives of the group.
Oxana Onipko
(cinematographer) is a documentary cinematographer based in New York City. She is originally from Ukraine. Her latest project “Kostya” screened at the 2019 DOC NYC film festival where it received an award of excellence from Kanopy. Oxana comes from a strong journalism and documentary photography background. She has a wide variety of experience working with immigrants and war zone stories.
Masami Kiyono
(illustration artist) is a storyteller and illustrator originally from the California Bay Area. She received her MFA from the School of Visual Arts in New York City where she was the recipient of the SVA Alumni Sequential Art Award in 2016. As a biracial Japanese artist, Masami is inspired by cultural folk tales and what it means to retain an Asian identity after four generations in the United States.
Kim Su
(assistant editor) is a filmmaker based in Brooklyn, New York. They graduated Summa Cum Laude with a BFA from Rochester Institute of Technology. Their work often includes exploring the intersectionality of identities, queer communities, and the lives of Asian Americans and Asian adoptees. Their most recent film, “These Memories Are Not My Own” explores their confrontation with the implications of their own adoption and the diaspora of Chinese-American life. It was featured at the 2022 Woodstock Film festival.